Showing posts with label tony valentino. Show all posts
Showing posts with label tony valentino. Show all posts

Wednesday, December 4, 2013

R.I.P. Dick Dodd of the Standells - Sometimes Good Guys Don't Wear White and Why Did You Hurt Me?

Sometimes Good Guys Don't Wear White
Why Did You Hurt Me?
We were a little slow learning that the voice of The Standells, Dick Dodd, died earlier this week. Tardiness aside, we need to show him some love. Here are The Standells performing the Ed Cobb penned and produced tune, Sometimes Good Guys Don't Wear White with a Flip-Side of Why Did You Hurt Me?, which is co-written by Dodd. The second single with Dodd was released on Tower Records in August of 1966. The Standells, once a lightweight twist, frat-band, took on a new life when Dick Dodd left the surf band, The Bel-Aires, and took over the drum kit and vocal duties of The Standells. Under Ed Cobb's tutelage and behind Dodd's sneer, The Standells became the epitome of the new attitude of LA garage bands. Dick's voice can be heard over the PA system at Fenway Park 82 times a year as The Red Sox play Dirty Water at every game. RIP Dick Dodd. 

Wednesday, July 31, 2013

Tower Records Spotlight: The Standells - Barracuda

The Standells were without question, Tower Records' biggest hit makers. The Los Angeles quartet gave Tower the label's first genuine hit when Dirty Water went to #11 on the national charts shortly after it was released in the final hours of 1965.

The Standells had been kicking around LA for a number of years and had released six singles on three different labels before they were paired with producer Ed Cobb and Tower Records. Drummer Dick Dodd -- who had been in the surf band, The Bel-Aires -- was promoted to lead vocal duties and the band changed under Cobb's tutelage from a lightweight frat band to a snarling garage band spilling over with Rolling Stones attitude.

Our featured song today was not one of the many fine singles from the band. Instead, Barracuda, written by Ed Cobb, appeared on the band's final album, Try It!, from 1967. Filled with bravado and dripping with sexual tension, Barracuda was quintessential Ed Cobb tapping into the attitude of the times. The same attitude that got the title track from the LP banned, much to the band's delight. Dick Dodd performs the number with the requisite anti-charm. Dig baby, dig!

Until next time, we'll see you On The Flip-Side!

Tuesday, October 4, 2011

Song of the Week: The Standells - "Medication"


Listen - The Standells perform Medication

We're building off our last post. The same label, the same producer, the same year and probably the same studio (and maybe even musicians) as our Chocolate Watchband post just below.

Most people know The Standells for their out of the garage hit, Dirty Water. That song, written by producer Ed Cobb, has led most people to believe the band is from Boston. Cobb was, but not the Standells. The members of The Standells all hail from LA and even had a long history in the film scene in LA. One of them was even a Mousekateer. Like the San Jose based Chocolate Watchband, The Standells were a real band and had been kicking around the LA scene in one form or another since the late 50's.

When Mouskateer escapee, Dick Dodd, left the surf combo, The Bel-Aires (known for their regional hit, Mr. Moto), the band began to take a more modern shape. Dodd took over singing duties and the band, like all others around them, became hugely influenced by the British Invasion. The band released a few forgettable singles on Liberty Records and VeeJay Records. They even performed a number on the TV show, The Munsters. Here is where Ed Cobb enters the picture. Cobb was looking for a group to market on his Tower Records label and The Standells fit the suit. They immediately hit it big with Cobb's homage to his hometown of Boston, Dirty Water. An inconsistent album of the same name followed. The first song off of that album is our SoTW.

The song is Medication, and, to tie it back into our last post, The Chocolate Watchband also did a version of the song. It's a beautifully produced, well restrained song that keeps our fingers snapping every time.