Mid-Atlantic Spotlight: The Young Rascals - You Better Run/Love Is A Beautiful Thing

Day 4 of the Mid-Atlantic Battle of the Bands has us looking at a band that scored big on the national stage with their second single, a cover of Good Lovin'. Today we feature their third single, released on Atlantic Records in the Summer of 1966. It's the double A-Side of You Better Run with a Flip-Side of Love Is A Beautiful Thing. Both songs are originals. You Better Run composed by keyboard player/singer Felix Cavaliere and singer Eddie Brigati. Love Is A Beautiful Thing, written by Cavaliere and guitarist Gene Cornish. Drummer Dino Danelli rounded out the group.

You Better Run is a great tempest of a song boiling with anger and frustration. Gene Cornish's rhythm guitar work harkens back to that of their previous hit, Good Lovin'. Pat Benatar would score a hit with a unintentionally comical cover of this song in 1980, thirteen years to month after this was first released. In fact, Benatar's cover was the second video ever played on MTV!

Love Is A Beautiful Thing is a great Flip-Side! Cool organ, soulful delivery, back and forth vocal leads a la Sam and Dave, and that patented, fast rhythm guitar work growling under it all. Garage legends, We The People would curiously cover this song very faithfully late in 1967.

All in all, the Rascals hit the big time, but it doesn't mean they weren't still just a garage band at heart!

Until next time, we'll see you On The Flip-Side!

Song of the Week: Don Covay and the Goodtimers -- Mercy, Mercy and Can't Stay Away

This Flipster just hit a record store which recently purchased a radio station's collection of singles. Clearly this Green Bay, Wisconsin station was into soul. That makes for a happy, albeit a little less financially secure, Flipster. In the coming weeks, you'll very likely be hearing a lot of these records digitally spinning here at On The Flip-Side.

We'll start with Don Covay's August, 1964 release for Rosemart Records. One of only two releases Covay had on the boutique label owned by Atlantic Records. Mercy, Mercy became a common number of the 60s garage bands thanks in large part to The Rolling Stones who more than ably covered it on their Out Of Our Heads album from 1965. Incidentally, they recorded the number at Chess Studios in Chicago. 

Don Covay recorded his composition on May 13, 1964 at A1Recording Studio in New York. Why is this important? Because the man he used for guitar was none other than Jimi Hendrix. Hendrix plays on both sides. And man, oh man, is it beautiful. It's as understated as it is great. Apparently when Jimi Hendrix got to the UK a few years later he used Mercy, Mercy as one of the audition songs for both Noel Redding and Mitch Mitchell. Cool. But I don't want the Jimi Hendrix connection to overcome the greatness of these two songs. Sit back, play it again and again. It only gets better with age.

Until next time, we'll see you On The Flip-Side!

The Song Still Remains The Same: the unauthorized etymology of Led Zeppelin songs. Bring It On Home

Bring It On Home - Led Zeppelin

Bring It On Home - Sonny Boy Williamson

We are back (after a long hiatus) with our fourth installment of The Song Still Remains The Same: the unauthorized etymology of Led Zeppelin songs. You know, that little thing I do where I look at a song Led Zeppelin claims to have written, and then play you the original song...that they didn't write.

We started with Dazed and Confused. 
Then we looked at Whole Lotta Love.
Then we analyzed Since I've Been Lovin' You.

Today, we look at Bring It On Home.

The last song on the October 1969 release of Led Zeppelin II is a song called Bring It On Home. As you can see from the above label scan, it is a song that Jimmy Page and Robert Plant have claimed to have written. The song is a laid back blues shuffle with Robert Plant's trademark billy-goat styled vocal delivery. Plant pleads with his lover:

Bbbbaaaaabbbbbwwwaaaayyyyy. Well,  Bbbbaaaaabbbbbwwwwaaaayyyyy, I'm going to bring it on home to you. I've got my ticket, I got that load. Join up, going higher, all aboard. I'm going to take my seat, railway bag. Ooh-ch'yeah. Watch this train roll down the track. I'm going bring it on home, break it on down now to you.

Ahhh, you can hear Robert Plant's native Mississippi accent as he drawl's out his pained lyrics.

Whoa. Wait. No. That's not right. Robert Plant isn't from Mississippi, he's from the UK. And Jimmy Page wasn't an itinerant sharecropper who made his way to Chicago after World War II. How did I mess this up? Oh yeah, Jimmy Page and Robert Plant didn't write the damn blues song! They stole it.

Sonny Boy Williamson (II) recorded the Willie Dixon penned song, Bring It On Home, in January of 1963 at Chess Studios in Chicago. However, the number wasn't released on Chess Records until February of 1966, shortly after Sonny Boy Williamson's death in Helena, Arkansas in 1965.

It's undeniable that it is the same song. Lawyers for Atlantic Records agreed and settled out of court for an undisclosed sum in 1972. Subsequent pressings of the record show Willie Dixon as the composer. Only one person seems to still believe it is a different song:

The thing with Bring It On Home, there's only a tiny bit taken from Sonny Boy Williamson's version and we threw that in as a tribute to him. People say, "Oh, Bring It On Home is stolen." Well, there's only a little bit in the song that relates to anything that had gone before it. Just the end.
--Jimmy Page as interviewed by Dave Schulps, Trouser Press, October, 1977. 

Well, to that, I just have to say...Huh? Just a little bit? It's the same frickin' song, Jimmy. It's not just taking the shuffle, it's not just lifting a lyric or two. It's not just that it's the same title. You even have Robert Plant even imitates Sonny Boy Williamson! It's the same thing Led Zeppelin did when Robert mimicked The Small Faces' Steve Marriott with Whole Lotta Love (aka, You Need Lovin').  You make call it an homage, Misters Plant and Page, but it's not. It's standing on the shoulders of others and pushing them down in the mud. Not OK lads.

And yes, I understand that Sonny Boy Williamson tended to steal stuff too...like another person's entire identity! But we are dealing with just one deviancy at a time here.

Listen for yourself. Let us know what you think. Until next time, we'll see you On The Flip-Side!