The Zombies - Gotta Get A Hold On Myself

Following on yesterday's post about Dee Dee Warwick's 1965 number, Gotta Get A Hold Of Myself, we return with The Zombies' very different take on it from September 1966. The single was released in the UK on Decca but failed to get a US release. 

The Zombies change the opening and closing riffs, remove the lead guitar, speed the whole number up, reorganize some of the lyrics and bassist Chris White really steps up the bass work to propel the song to a new plateau. I'm particularly fond of his descending run following the line "late at night I hear footsteps sound down the hall" at 1:18. It's a nice musical play with the lyrics. As usual, Colin Blunstone's vocal performance is stellar. In addition, Rod Argent and Chris White really do a wonderful job with the harmonies. Play the two back to back. It's a nice comparison of how a song can be approached differently and come out perfect no matter which is on the turntable.

Until next time, we'll see you On The Flip-Side!

Song of the Week: People - I love You

Today we're going to follow up on a Zombies post which was part of the Parrot Records Spotlight we did last week. The Flip-Side of that single we featured was a Chris White penned tune called I Love You. I noted the 1965 double sided gem of a record failed to make the top 100 in the US but that another band scored a hit with it. Here is that record for you today.

People was a six-person band out of San Jose, California who scored a hit with The Zombies' number. The band recorded the number in 1967, released on Capitol Records January of 1968 and with a real label behind them (yes, I'm looking at you Parrot Records) was able to get enough national airplay that their version hit #14 in the Summer of 1968. It's definitely a little more hippy-dippy than the Zombies original but the inherent quality of the record holds up nicely in this version. Ultimately they didn't stray far from the original: slowed it down a little, added a moody intro, a few effective tacet moments on the C major in the chorus.

People apparently got wrapped up in The Scientology movement and when singer Larry Norman refused to join the organization, he was sacked from the band. Now the rest of the band plays private gigs for the high priest, John Travolta in his inner sanctum. Play the two versions back to back and let us know which you like better. 

Until next time, we'll see you On The Flip-Side!

Parrot Records Spotlight: The Zombies - Whenever You're Ready and I Love You

Whenever You're Ready

I Love You

You can't leave everything to fate. Sometimes just because you do good work, doesn't mean you will meet success. Such is the case with The Zombies. Note for note, perhaps the most consistent band to come out of the UK in the 60s. The band of nerds met only modest success.

Now that said, behind perhaps only Tom Jones, no group was more successful for the under achiever Parrot Records than were The Zombies. The Zombies were far more influential and appreciated in America than in their native UK. Yet even in the British Invasion hungry US, The Zombies limped and crawled under the radar too often. Case in point is today's Song of the Week. This August 1965 release on Parrot Records failed to chart in the US top 100. Similarly, when it was released a month later in the UK for Decca Records, the single failed to chart in the UK top 100. Such was the life of a Zombie. Make incredibly great music, influence other musicians (mostly in the US), fail to sell many records, fail to fill even the smallest venues.

Whenever You're Ready was written by the band's pianist, Rod Argent, the band's most prolific songwriter. As is always the case, the vocal work from Colin Blunstone is hauntingly good. The harmonies spot on. The electric piano break wickedly clever. The lyrics tight and thoughtful. How did this not sell records?

The Flip-Side is equally as good. I'm telling you, EVERYTHING they put out was superb. I Love You was written by the band's bassist and secondary songwriter, Chris White. From the title alone, I should hate this song. But I don't. The trademark Zombies minor chord work, the theme of frustration and unrequited love and Colin Blunstone's voice. Rod Argent even better on the keyboards on this song. You can't go wrong with any Zombies record.

As mentioned earlier, The Zombies had a larger influence than they had record sales. To point, a California band with the dreadful name of  People covered I Love You very nicely and released it on Capitol Records in January of 1968. They had a hit with it. Meanwhile, at the same time, The Zombies were getting dropped by Decca Records and were begging for studio time to record their second and last album, Odyssey and Oracle.

Until next time, we'll see you On The Flip-Side!

Song of the Week: The Zombies - Walking In The Sun

For our second foray into the world of The Zombies, we focus on a song that didn't see the light of day when The Zombies actually existed as a real band. The song is Walking In The Sun and it was apparently written in '64, recorded in '65 and then never released. After the Zombies had disbanded in frustration over the lack of interest in their high quality product, they found themselves in an unusual position. That being, The Zombies had a posthumous hit in Time Of The Season. Suddenly the record company wanted another album. The thought was to throw some songs together which Rod Argent was working on and mix and match with whatever else was in the vaults. It was to be called Zombies R.I.P. That album never happened, but thankfully, some of those songs, of which Walking In The Sun is one, made their way onto poorly packaged compilations. Enjoy here the high quality stereo mix with overdubs as it appeared on the must-have box set, Zombie Heaven. 

Song of The Week: "Just Out of Reach", The Zombies

Listen - The Zombies perform Just Out of Reach

It's real hard to beat The Zombies. Song for song, they may have been the highest quality band to come out of The British Invasion. But sometimes quality isn't recognized. In a world where people gobble up Budweiser and McDonalds, the Zombies were too often selling fine wine and steaks.

In between their two excellent albums, Begin Here and Odyssey and Oracle, The five lads from St. Albans, England, ran off a streak of singles that are of the highest quality. Unfortunately, each one did as poorly as the next on the charts. Particularly in the UK where the band was, well, just ignored. Amazingly they only charted one song, their debut, She's Not There, in the UK Top 40. What the heck!? In the US they had a bit more success and influenced American acts like the Enfields, The Left Banke, and Phil and the Frantics. But in a world where Paul was the "cute one" and Mick was the "bad boy" and Eric was the "gutiar god", the nerdy looking, minor key loving Zombies, bespectacled and wearing suits, were quickly out of date and tagged as the kind of band only girls liked. But pick up any Zombies single -- any of them -- and you will pick a class-A gem. Organ and piano player, Rod Argent, gets most of the accolades for the songwriting. Well deserved too. Chris White, the bassist, was no slouch either and really grew quickly as a songwriter in their brief career. But today we look at a rare Colin Blunstone penned song.

Just Out of Reach was written by Colin for the Otto Preminger film, Bunny Lake Is Missing. It's one of three songs the Zombies contributed to the soundtrack. The song was then released in the UK as the Flip-Side to Chris White's excellent composition, Remember You. Months later, the US pressing (on Parrot Records) would promote Just Out of Reach to the A-side. In our opinion, it is the right decision.

Just Out of Reach is not only a rare Colin Blunstone composition, but it is a rare (albeit less rare) rocker. Blunstone's voice is as good as it has ever been. He has a nice rasp to it that sounds as if he was fighting a phlegmy cold. Then there is the great organ break with Rod at the fore. That last half of that lead is just magnificent. Chris White and Rod Argent lend their superlative harmonies as a call and response and as a nice ooh-ooh-ooh here and there.

Enjoy.

Video Diary: The Zombies "This Old Heart of Mine"

The Zombies on French TV, live. Dig that Schlitz sweatshirt Colin Blunstone is sporting. It says "Breakfast of Champions". My goodness, that man has a hell of a fine voice. Two vids here, both live. This Old Heart of Mine and Gotta Get Ahold of Myself

Song of the Week: "Summertime", The Zombies

Today we start a week long salute to one of the greatest songs ever written. The song is Summertime and was penned by George Gershwin in 1935 for the musical, Porgy and Bess. Some songs are brilliant because of the performance, but not necessarily the intrinsic nature of the composition. See MC5's Kick Out the Jams video diary entry directly preceding this post as an example. Other songs are so perfectly composed that it is nearly impossible for anyone to do a bad version of it. Summertime, I would argue, falls into this latter category. In celebration of Summertime (and Summer), we will post a new version of the song each day this week. Upbeat, sorrowful, latin, soul, jazz, rock and country. We may just explore them all.

Today we start things off with the criminally underrated British Invasion band, The Zombies. Their version is pretty straightforward. Slow and brooding, the moody nature of the song is first tipped by the bass work of Chris White who gives us the first melodic hint as to what song we are enjoying. Then the beautiful, breathy voice of Colin Blunstone comes in. Blunstone, perhaps best known for voicing the band's hit, Time of the Season, sings Summertime with a sultry heat that would fit well into any Tennessee Williams play. Rod Argent's electric piano punctuates our song and the three front men harmonize with a gentle ghostly feel to it. Click here to hear the Zombies version of Summertime.

We'll see you tomorrow with another version of the song.