Showing posts with label carl perkins. Show all posts
Showing posts with label carl perkins. Show all posts

Tuesday, September 25, 2012

Song of the Week: Onie Wheeler - Jump Right Out of This Jukebox



Onie Wheeler and his Ozark Boys hailed from southern Missouri. In 1957 Onie cut one single for Sam Phillips' much heralded Sun Records and toured with Carl Perkins, Johnny Cash and Elvis Presley. Jump Right Out of This Jukebox was the Flip-Side of his lone Sun Records single. It's just a classic honky tonk number that would sound downright perfect in any honky tonk or rockabilly club today. 


Tuesday, June 2, 2009

Song of the Week: "Purr, Kitty, Purr", Sid King & the Five Strings

The Flip-Side central command has many pleasures in life. Some of them to which we even admit publicly. One of those is turning people on to hep-cat (ooh, did we just try to get away with that term?) music that -- in all likelihood -- the aforementioned "people" have never heard before. And so it is, with great pleasure, that we present today's song of the week. The song is Purr, Kitty, Purr, by Denton, Texas band, Sid King and the Five Strings.

Sid King was actually a lad from Denton, Texas born with the un-rock-n-roll name Sid Erwin. Sid and his gang made a (new) name for themselves playing radio stations, school dances, roller rink "all night" hops and other assorted local gigs in the early to mid 1950s. Like the teenage Buddy Holly way over in Lubbock, The Five Strings were playing a steady dose of Bob Wills influenced Western Swing. Then they began flirting with a new sound. That sound, of course, is rockabilly. But unlike Holly or Elvis or the Johnny Burnette Trio, The Five Strings never quite stepped wholly into the nascent rockabilly craze. In fact, they remained, at heart, a western swing band. And a dang good one indeed. But, in the flip-side's humble opinion, their best work was their rockabilly forays. But even those weren't wild ravers like the other cats we mentioned. No, they were more in the vein of Carl Perkins: country boys at heart flirting, but never quite becoming, rock-n-roll. Their best songs, like Purr, or Shake the Shack, are a study in restrained power. Songs which hint at a break out, but never quite make that break. Songs that play with lyrical coyness but never quite turn into the bathroom-wall expose it may have become under a different band.

Purr, Kitty, Purr is a wonderful song with a snappy "tom-cat" beat and a lyrical guitar up front and center. But, again, the guitar, like the whole song, is restrained. Even Sid's kitty-cat growls seem innocent and somewhat humorous by today's standards.

I'm sure you'll agree, this kitty-cat is the type of song you'll enjoy making purr over and over again. Enjoy. And enjoy with a person you love. Or by yourself, if that's your thing, you know. I won't tell.  

Monday, April 20, 2009

Song of the Week: "Tennessee Flat-Top Box", Johnny Cash

Listen - Johnny Cash performs Tennessee Flat-Top Box

Everyone loves Johnny Cash. Punks adore him. Country and Honky Tonkers revere him as a Mt. Rushmore figure of the genre. People who hate country, love Johnny Cash. Folkies love him. Rock-n-rollers love him. Hippy-jam band cats love him. Honestly, how could you not like the man in black? He was exceedingly original, stiff armed the stiff Nashville machine, embraced musicians like Bob Dylan when others around him were hostile to rock and folk, and produced consistently great quality work. JC even embraced people who were relegated to the trash bin by society as witnessed by his prison concerts.

And no wonder everyone loves him -- his music, his voice, his story-telling skills are just top-notch. As evidence, I offer the man's 1961 sleeper, Tennessee Flat-Top Box. The somewhat autobiographical tale of an unassuming boy who was quietly turning heads by doing things his own way is classic Cash. So is the Tennessee Two's chug-a-chug-a-chug chug rhythm. But what's different about this song is that striking and constant acoustic guitar lead. I'm unsure if the wonderful wooden indian-like lead guitarist Luther Perkins is playing this lead or if a studio musician was called in. In some aspects it is very Luther (the walking leads with heavy emphasis on the polka beat), but in other ways it is not Luther at all (the multi-string slides and the use of acoustic). I wouldn't be surprised if it turned out to be Carl Perkins on lead. I just don't know. If you do know, please let me know.

I hope you enjoy this song. Cheers.