Sometime in the fall of 1984,
while spending a year in England, I was thumbing through a record store in
Guilford, south of London, when to my astonishment I came across a copy of Here
Are The Chesterfield Kings. Having
just been introduced to this album – and 60’s garage in
general – by a friend back in the States, I knew this album was
gold. Isolated from my friend’s and my collection of records back home, I
found myself studying this and a few other albums in my lonely little high-schooler
bedroom. The songs Little White Lies, Sixty Second Swinger and Come With Me
got special attention. They gave insight into this other kind of music -
unruly, menacing vocals set to a raw pounding beat and inventive
instrumentation. Other songs such as You Better Look Now, Time to Kill or Outside Chance
showed the more melodic side to the mid-‘60s music I craved to hear. As a
whole the music on this album was so charged that at times I literally couldn’t
believe what I was hearing; and the album was so faithfully presented in the
vein of a mid-‘60s era release, from the actual recordings to the picture of
the band on the front of album, right down to the images and layout on the back
of the album, that I must admit to not knowing for some time in which era this
was initially recorded. This just added to the allure.
The Chesterfield Kings formed in 1979 in Rochester, New York, and were one of
the earliest ’60s revival bands as they rode that first crest that included The
Lyres out of Boston and The
Crawdaddys out of San Diego. In the
next few years the Chesterfield Kings – Greg Prevost, Doug Meech, Rick Cona, Andy Babiuk and
Orest Guran – released several singles
and played locally, and all the while several influential garage-specific
compilations – Pebbles and the Pebbles offshoot Highs In the Mid-Sixties -
entered the mix. By the time of the Chesterfield King’s 1982 release of “Here Are”, ‘60s garage or otherwise
‘60s-inspired music had a foothold, albeit a distinctly underground foothold,
on both coasts and the garage revival was well on its way. While many of
these early acts embraced the ‘60s garage ideal with a zeal, and some
frankly nailed it – see The Unclaimed’s Primordial Ooze
EP or The Tell-Tale Hearts' eponymous
LP – if you wanted the blueprint at a granular level it was Here
Are Chesterfield Kings.
Today we look not at Here
Are but at the original versions of the
songs behind the album. The album is all covers, something I didn't
really get only until recently, such was their ownership of the material. Although the ‘60s garage comps were hitting their stride by 1982, as
of the date of release of this album as far as I can tell only one song on it had
been comped. In the pre-internet, pre eBay days, the general awareness
and availability of some of these songs, let alone the actual wax, must have
been pretty slim indeed, which makes this album all the more stunning.
Today - Side 1. Stay tuned for Side 2 in the coming days. Enjoy!
The Sonics - The Hustler
The Rogues - You Better Look Now
The Turtles - Outside Chance
Painted Ship - Little White Lies
Zakary Thaks - Won't Come Back
The Choir - I'm Going Home
The Chocolate Watch Band - Expo 2000
