Jeff Tweedy - Theologians

From his 2006 solo tour, the frontman for Wilco, Jeff Tweedy, performs his own composition, Theologians. I think the guitar sound is inexcusable for a performer of this level, but he more than makes up for it with his beautiful, spot-on falsettos.

Until next time, we'll see you On The Flip-Side!

Song of the Week: "The Family Gardener", Jeff Tweedy

Listen - Jeff Tweedy performs The Family Gardener

I love this song. And this little whimsical performance most of all. It was recorded in a small room somewhere in the Pacific Northwest with some guy who I am familiar with. It came as an extra download on the DVD of Sunken Treasure Live in the Pacific Northwest. Jeff Tweedy first performed this as part of the collective, The Minus 5. But their version of Tweedy's The Family Gardener is, in my opinion, over produced. Here Tweedy's guitar is brought to the fore and we can hear the quizzical words interplay with the instrument nicely. Again, I don't know who the other guy is (the one in the right channel), but I like his harmony.

Below is an abstract from the DVD with Family Gardener and Satan, Your Kingdom Must Come Down. Enjoy.

Song of the Week: "Don't You Honey Me", Wilco

We learned yesterday of the death of Jay Bennett at the very tender age of 45.  Just three weeks ago, we here at On The Flip-Side, sang the praises of Mr. Bennett and his multi-instrumentalist contributions to the ground breaking band Wilco.

We are not going to offer up a lengthy or emotionally driven eulogy for Jay, instead, we'll just let his great work speak for himself. Our Song of the Week is a song about which I know little. It's an early-era Wilco bootleg that features Jay Bennett on a warbly lead guitar that is posited front and center. That's also Jay doing some fine harmonizing. The song is Don't You Honey Me (Bumble Bee).

If you know more about the song, or just want to say something about Jay Bennett, please post a comment.

Thanks, Jay.

Song of the Week: "Red-Eyed and Blue", Wilco

Hello, my name is Mr. Flip-Side and I am a recovering Wilco addict. I used to go on Wilco binges for days, weeks, even months at a time. Sometimes I would find myself driving through the Eastern Seaboard of the United States just to get a live Wilco fix. I'm not fully recovered. I still have moments when the ghost takes hold of me and I can't shake the gravely voiced demon in my ears. But, in general, I'm doing better. Here is how it started....

Sometime around 1995, JBC-15 asked me if I wanted to go to some tiny corner bar in Sacramento to see Wilco play. Who? "it's the off-shoot of Uncle Tupelo. The one the not-the-main-guy formed." Hmm, nah. I said. Then soon after I picked up their first album, AM. Not bad at all. Better than I expected, but not groundbreaking. Then the second album soon came out, Being There. $15 at the Tower Records in the Foggy Bottom section of DC. I popped the disc in the car stereo and started my 20 minute ride home. The first track, Misunderstood, was brilliant. It was the unrealized soundtrack I had in my head. The album is a raucous, wide-open, unedited, take me as I am outpouring from a band that was just starting to understand who they were. Or, I should say, a band leader who was just starting to understand that he had permission to move beyond the strict confines he felt at being the Jr. partner of Uncle Tupelo.

And then there is this little song. It's called Red-Eyed and Blue and it fits in the album as a brief little interlude. A link between two other more grandiose songs. It's simple and delicate and showcases a raw, vulnerable side of the band's leader, Jeff Tweedy. The now exiled Jay Bennett should not be overlooked either for his contribution. The multi-instrumentalist was wonderful at picking out catchy melodies on whatever instrument he played. Here, on the slightly out of tune piano, he plays a simple and wonderful little counter-melody that accents the chord progressions beautifully. Tweedy's voice is minimal and stark and the whimsical whistle at the end of the song accentuates the "just passing by, don't mind me" approach of the song. In the end, it was this song, more than any other, that sent me into my long Wilco addiction. One I still wrestle with.