The Song Still Remains the Same: the unauthorized etymology of Led Zeppelin songs. Stairway To Heaven

Stairway To Heaven

Taurus

We've brought you three articles on the history of Led Zeppelin songs and how some of their songs may just have been lifted from the works of others.

The song we first looked at was Dazed and Confused. We talked in-depth about how the song was taken from Jake Holmes' 1968 composition called, wait for it, Dazed and Confused. Read about and listen to both versions of Dazed and Confused here.

Then we wrote about Zep's Whole Lotta Love and how that was lifted, vocal style and all, from The Small Faces, who, in turn had lifted it from Muddy Waters. Read and listen to a side by side comparison of Whole Lotta Love here.

Most recently we talked about Led Zeppelin's Since I've Been Loving You and how that shares a more than passing resemblance to Moby Grape's 1968 composition, Never. Read about and listen to both Since I've Been Loving You and Never here. 

In the news today is the story of Led Zeppelin's signature song, Stairway To Heaven. The family members of the late Randy California, guitarist for the band, Spirit, have brought a lawsuit against Led Zeppelin and Atlantic Records alleging that the iconic opening riff of Stairway To Heaven was lifted from Spirit's 1968 song entitled Taurus.

Led Zeppelin, in both 1968 and in 1969, opened for Spirit numerous times and would have had ample opportunity to hear the number performed both live and on record.

"It was such a pretty moment, and it would typically come after a big forceful number and always got a good response," [founding band member, Mark] Andes told Bloomberg. "They would have seen it in that context.... It is fairly blatant, and note for note. It would just be nice if the Led Zeppelin guys gave Randy a little nod. That would be lovely."" [Los Angeles Times, May 22, 2014]

For the sake of brevity, we'll just say, you be the judge. We formed our opinion years and years ago. Now is your chance to play both Sprit's Taurus and Led Zeppelin's Stairway To Heaven back to back. And then ask yourself, does anyone remember laughter?

Enjoy, and let us know what you think.

Until next time, we'll see you On The Flip-Side!

The Song Still Remains The Same: the unauthorized etymology of Led Zeppelin songs. Bring It On Home

Bring It On Home - Led Zeppelin

Bring It On Home - Sonny Boy Williamson

We are back (after a long hiatus) with our fourth installment of The Song Still Remains The Same: the unauthorized etymology of Led Zeppelin songs. You know, that little thing I do where I look at a song Led Zeppelin claims to have written, and then play you the original song...that they didn't write.

We started with Dazed and Confused. 
Then we looked at Whole Lotta Love.
Then we analyzed Since I've Been Lovin' You.

Today, we look at Bring It On Home.

The last song on the October 1969 release of Led Zeppelin II is a song called Bring It On Home. As you can see from the above label scan, it is a song that Jimmy Page and Robert Plant have claimed to have written. The song is a laid back blues shuffle with Robert Plant's trademark billy-goat styled vocal delivery. Plant pleads with his lover:

Bbbbaaaaabbbbbwwwaaaayyyyy. Well,  Bbbbaaaaabbbbbwwwwaaaayyyyy, I'm going to bring it on home to you. I've got my ticket, I got that load. Join up, going higher, all aboard. I'm going to take my seat, railway bag. Ooh-ch'yeah. Watch this train roll down the track. I'm going bring it on home, break it on down now to you.

Ahhh, you can hear Robert Plant's native Mississippi accent as he drawl's out his pained lyrics.

Whoa. Wait. No. That's not right. Robert Plant isn't from Mississippi, he's from the UK. And Jimmy Page wasn't an itinerant sharecropper who made his way to Chicago after World War II. How did I mess this up? Oh yeah, Jimmy Page and Robert Plant didn't write the damn blues song! They stole it.

Sonny Boy Williamson (II) recorded the Willie Dixon penned song, Bring It On Home, in January of 1963 at Chess Studios in Chicago. However, the number wasn't released on Chess Records until February of 1966, shortly after Sonny Boy Williamson's death in Helena, Arkansas in 1965.

It's undeniable that it is the same song. Lawyers for Atlantic Records agreed and settled out of court for an undisclosed sum in 1972. Subsequent pressings of the record show Willie Dixon as the composer. Only one person seems to still believe it is a different song:

The thing with Bring It On Home, there's only a tiny bit taken from Sonny Boy Williamson's version and we threw that in as a tribute to him. People say, "Oh, Bring It On Home is stolen." Well, there's only a little bit in the song that relates to anything that had gone before it. Just the end.
--Jimmy Page as interviewed by Dave Schulps, Trouser Press, October, 1977. 

Well, to that, I just have to say...Huh? Just a little bit? It's the same frickin' song, Jimmy. It's not just taking the shuffle, it's not just lifting a lyric or two. It's not just that it's the same title. You even have Robert Plant even imitates Sonny Boy Williamson! It's the same thing Led Zeppelin did when Robert mimicked The Small Faces' Steve Marriott with Whole Lotta Love (aka, You Need Lovin').  You make call it an homage, Misters Plant and Page, but it's not. It's standing on the shoulders of others and pushing them down in the mud. Not OK lads.

And yes, I understand that Sonny Boy Williamson tended to steal stuff too...like another person's entire identity! But we are dealing with just one deviancy at a time here.

Listen for yourself. Let us know what you think. Until next time, we'll see you On The Flip-Side!