Showing posts with label gerry goffin. Show all posts
Showing posts with label gerry goffin. Show all posts

Saturday, November 29, 2014

Mid-Atlantic Spotlight: The Myddle Class - Don't Let Me Sleep Too Long / I Happen To Love You


The Myddle Class first came onto their local suburban New Jersey scene in 1964 as the King Bees but upgraded their name to avoid confusion with the King Bees releasing stuff on RCA Victor. Their first show under this new moniker was on December 11, 1965 in Summit, New Jersey. One of the opening acts for that show was a group playing its first live performance with its now core membership, The Velvet Underground. That's an auspicious start for our guys which consisted of Dave Palmer on vocals, Rick Philips on guitar, Danny Mansolino on Organ, Charles Larkey on bass and Michael Rosa on drums. Meanwhile, Al Aronowitz, New York Post columnist and band manager introduced the band to the songwriting team Jerry Goffin and Carole King who agree to write and produce for the Myddle Class. The bands first 45 was released on the short-lived Goffin-King label Tomorrow and features an excellent cover of Gates Of Eden as well as the brilliant folky original Free As The Wind.

Their next release on Tomorrow is our featured disc, released in June of '66. It opens on side A with the charging, barn-razing Don't Let Me Sleep Too Long. It's got screaming guitar work as well as some plain old screaming and gives the impression of the kind of raucous live performance for which they were known. The song is credited to the band, but it is well known that they copped it from The Blues Project's Wake Me, Shake Me while opening for them and even managed to get an earlier release than the original, itself taken from a traditional song. A later release on Buddha, while still crediting the band, gives arrangement credit to Al Kooper and The Blues Project. That's thoughtful.

The flip-side brings us to a Goffin-King song we flipsiders happen to really love, I Happen To Love You. The band was somewhat of a song tester for Goffin-King with some songs redirected to The Monkees, and one can easily imagine Micky Dolenz voice on this song. There are demos of Goin' Back and Pleasant Valley Sunday as well as others waiting for a well-deserved retrospective of The Myddle Class. The band only released one more single, also on Tomorrow. Charles Larkey married Carole King, Dave Palmer was an early vocalist for Steely Dan, and Rick Philips was senselessly murdered in 1969 by a jealous roommate.

You can also hear a version of I Happen To Love You by Them here.

See you on the Flip-Side!

Wednesday, February 12, 2014

Song of the Week: The Monkees - As We Go Along

The Monkees were left for dead following the "studio musician" scandal that exposed The Monkees to be a manufactured band who didn't write much of their own material or play instruments on their earliest work. Gasp! I've always defended the band. If you sit back and listen to some of the work and don't get hung up on process, just outcome, you have to admit, The Monkees put out some pretty damn good material.

The last work by The Monkees as the original band was the suicide note of a movie, Head. Co-written and produced by Jack Nicholson, musical input by Frank Zappa, songwriting by Carole King, instrumentation by The Monkees themselves (and guests). It was their swan song of sorts. Peter Tork would leave the band upon the movie's release. The lone single from the soundtrack would be the stellar Porpoise Song released on Colgems Records on October 2, 1968. (my copy above is the Aussie release on RCA).

The Flip-Side is also stellar and is our feature today. Written by Carole King, produced by Gerry Goffin, arranged by Jack Nitzsche, As We Go Along has a wonderful languid quality to it. It's remarkably un-Monkees like. Slow, acoustic guitar work with beautiful lead work throughout. It's got a loose ramble that feels like it could be from Pete Townshend's first solo album or from the Ron Wood and Rod Stewart era Faces. In fact, I would argue that it sounds a lot like a Faces song...but with a better singer. Oooh! We think you'll enjoy this one. 
Until next time, we'll see you On The Flip-Side.