Showing posts with label the tell-tale hearts. Show all posts
Showing posts with label the tell-tale hearts. Show all posts

Tuesday, October 21, 2014

New England Spotlight: The Shames - The Special Ones and My World Is Upside Down

The New England Battle of the Bands competition continues on this Tuesday with a band out of Ipswich, Massachusetts, a town just north of Boston. The band was The Shames (formerly the Cryin' Shames, but that name was taken) and consisted of Denis Trudel on vocals, Gerard Trudel on bass, Joey Amerault on drums, James Amero on lead guitar, and Patty Germoni on organ. That's right, The Shames were rockin' it with a girl in the band. And her nickname was apparently "Beetle". Bitchin'! The Shames played all over New England and, according to Back From The Grave Vol. 6, as far West as Buffalo and even had Bo Diddley in their audience one night. The band kicked out only one record, released on RFT out of Hyannis, Massachusetts, the same tiny town in Cape Cod where they recorded this sloppy-ass gem. And here is the kicker about this 1967 release. They forgot to put their name on the record. D'oh!

The A-Side, The Special Ones, was composed by singer Denis Trudel (second from right in the scanned photo below). The song starts with a sloppy racket of brazen guitar banging away. Trudel laments the life of being a long hair mod in a town of squares. But he stands up for himself, calling themselves The Special Ones (a title that takes on a different meaning when you consider they forgot to put their name on the record!). He even works in the band's original name of The Cryin' Shames into his lyrics. 

The Flip-Side is perhaps the better known of this double sided raver. My World Is Upside Down was co-written by the guitarist (the blonde cat on the left) and starts epically awesome with Trudel (voice cracking like Peter Brady) calling the flock to church before Gerard Trudel rips off a bass solo that would put John Entwistle to Shame (see what I did there?). I say this next thing with 100% sincerity: The loud jangly guitar overwhelming the recording, the drums banging away deep in the background, beyond dodgy harmonies, funky time changes, ridiculously simplistic song structure and the requisite 'woe-is-me' lyrics makes this a garage classic in the first order. It's just the kind of rock-n-roll approach that makes teen-driven garage music from the 60s so damn good. We don't need to be going up, up and away in a beautiful, beautiful balloon. We don't need to be going on an overly complicated musical journey to tell us that 'your's is no digrace'. Nope. We need one diminutive, snot nosed outsider telling us about how he feels like a 'broken limb on a tree'. And in less than 2:40 to boot!

If I recall correctly, San Diego's Tell-Tale Hearts did a spot on cover of this song back in the early to mid 80s. It must have taken their bassist, Mike Stax, hours in front of the turntable to figure out that bass solo!
Until next time, we'll see you On The Flip-Side!

Thursday, October 24, 2013

Song of the Week: The Tell-Tale Hearts - Too Many Lovers

The smart ones of you out there new this was coming. Anyone? Bueller? Bueller? Anyone? 

Yesterday we looked at the 1965 recording by The Scorpions doing Too Many Lovers. Some comments to that post led us to today where we jump 21 years ahead to 1986 and across many, many miles to land in San Diego. It was there and then that The Tell-Tale Hearts traveled to a 3-track recording studio tucked away in the mountains East of town. The band at that time was (from L-R), Bill Calhoun, Mike Stax, Dave Klowden, Ray Brandes and Pete Meisner. (Meisner and Stax are both alums of The Crawdaddys, btw) This is the only TTH recording with the über talented Pete Meisner on lead guitar. And it was the last recording of The Tell-Tale Hearts as we really knew them. The TTH's superb take on Too Many Lovers was released on the Australian Kavern-7 Records.

While the arrangement stays largely faithful to the original by The Scorpions, there are some clear differences. The ethereal harmonies are gone, Calhoun's Vox Continental organ doesn't quite go to the quirkiness of the original. Mike Stax's bass work is brought to the fore, Dave Klowden's drum gets a huge production boost, particularly towards the end where the reverb drenched drum fills bring the song to a percussive end. On top of that, singer Ray Brandes attacks the song with anger whereas the Scorpions singer, Peter Lewis, sang the song with regret and sadness. And last, The Tell-Tale Hearts give the song a much needed supercharge at guitar. Meisner's guitar work (which I believe was done with a Guild Starfire III and a Vox AC30) is phenomenal and buttresses Brandes' bitter approach perfectly. Listen for the click at 1:11 as he steps on the Vox Tone Bender to take the lead to 11. 

Enjoy the two back-to-back. And if you are up for it, check out this 2009 Flip-Side post on The Tell-Tale Hearts.

Until next time, we'll see you On The Flip-Side!