Showing posts with label date with the dutch. Show all posts
Showing posts with label date with the dutch. Show all posts

Tuesday, May 21, 2013

Song of the Week: The Outsiders -- You Mistreat Me and Sun Going Down


You Mistreat Me
Sun Going Down
Radio Promo

[originally posted on 11/16/09]
Word just hit us that Ronnie Splinter passed away this past weekend. Here is a repost of an earlier article about his band, The Outsiders.

Greetings from a large wooden crate suspended over the shipping docks of Amsterdam. It's 1965 and we have a Date With The Dutch! Wether you're feeling groovy, hip, with it or whatever you like to call yourself; or even if others or you yourself regard you as a square, here is one minute and fifty nine seconds of music by the youngsters recorded in Holland especially for you!

Our date is happening because a local music magazine, Muziek Express, has the idea to publish songs from some of the local kids. Their virgin foray into the music publishing business is with a band called The Outsiders. They're led by a funny little singer and songwriter by the name of Wally Tax and an inventive guitarist by the name of Ronnie Splinter. Together they front a five piece band that is the biggest thing going in this soggy little country. Bigger than the ridiculously talented Cuby + The Blizzards and bigger still than Q65. They're even bigger than sticking your finger into a dyke on a Saturday night.

The Outsiders' first single for Muziek Express' Op-Art label is a double sided gem. The A-side, our SoTW, is called You Mistreat Me. (Yeah, I know, we usually go for the Flip-Side of singles, but not today kids). You Mistreat Me is one odd little song. Like so many Outsiders songs, You Mistreat Me seems to have been recorded live in the studio and without a break to tune up the instruments. (The fab-O flip side, Sun Going Down is waaaaay out of tune, but in a good way.)

You Mistreat Me starts with a heavily tremelo-effected guitar sputtering away as Splinter slides a barre chord up and down the neck, falling loosely into a two chord riff. Bassist Appie Ramers (most awesome name ever!) gets some prime time with his hollow body bass running up and down the neck. And the late Wally Tax sings in his trademark melancholy style sounding as if he was too stoned to actually make an effort to muster a well earned tear in his eye. "Things you say ain't true. All you do is lie. You leave me all alone for too many hours. You Mistreat me and you make me lose my mind. Don't you know that I love you, why do you treat me so unkind?" Even his scream that introduces the guitar lead sounds as if he can't work up enough energy to put the Pop-Tarts down and get off the couch. Wally Tax clearly abides.

Sadly we may never know why this unnamed girl treated Wally so bad. Wally Tax passed away not too long ago in 2005 and with him, he took his sad little secret to the grave.



Monday, November 29, 2010

Song of the Week: Q65 - I Got Nightmares



Here at On The Flip-Side we've sung the praises of 60s Dutch Beat, also known as Nederbiet. We've hit on the most musically talented of the bunch, Cuby + The Blizards, and we've hit on the most popular of the scene, The Outsiders. But we haven't touched on the coolest of that scene. But today is the day.

Q65 was formed in the Hague in 1965 and started releasing odd and stunningly cool singles on Decca Records beginning in 1966. In that same year they released their first album, Revolution. It's a very intriguing album that mixes great original compositions (some of which demonstrate a real unique approach to composing) and very respectable covers of American blues and soul songs such as Spoonful and Get Out Of My Life Woman. But as is always the case with the European bands, the originals are where one gets value for the price of admission. It is there that the English as a second language lyrics get most amusing, and the deft guitar work of Joop Roelofs and Frank Nuyens are at their best.


One of the many super cool, head scratching originals the boys put together is I Got Nightmares. The tom-tom, maraca heavy song features a simple, but compelling guitar riff with beautifully out-of-nowhere stops and the totally unexpected giggling and yawning. What is up with that?! Vocalist Willem Beiler sings in his trademark speaking style with some curious lyrics sung in English. Not all of which I can make out through the thick accent. Okay, most of it I can't understand.

Enjoy Q65 performing their original composition from '66, I Got Nightmares.