Showing posts with label Terry morton. Show all posts
Showing posts with label Terry morton. Show all posts

Wednesday, October 23, 2013

Song of the Week: The Scorpions - Too Many Lovers

Holy Scorpion songs, batman. We're back for a second straight day of featuring a song from the 60s beat group, The Scorpions. To be honest, that's a lot of attention paid to a band of this little infamy. A couple of comments on yesterday's Scorpions post for Hey Honey got us referencing this song so we figured we better put it out.

The song is Too Many Lovers and it is a real quirky number with a freaky cool organ bubbling under the whole song and some dang nifty falsetto harmonies at 1:49 to carry us out. It was released as the Flip-Side to a mundane cover on CNR Records in October of 1966. (We really do get carried away with the Flip-Sides on this blog. Good thing we named our site appropriately). Many, many years later the San Diego rock band, The Tell-Tale Hearts, would record a beautiful version of this song for Kavern-7 Records. Hmmm, is that a hint to tomorrow's post?

The organ in this Scorpions song reminds us of a song recorded in Minot, North Dakota a year later by The Trenchmen. You can read that post here. Highly recommended stuff, dude.

Tuesday, October 22, 2013

Song of the Week: The Scorpions - Hey Honey

Ladies and gentleman, welcome to our stage...The Scorpions! No, not the German soft metal band from the 80s who like to rock things like a weather phenomenon. This group was from Manchester, England before they relocated to The Netherlands sometime in 1964. The band was (at the time of this recording) Peter Lewis, Tony and Rodney Postill, Ian Lucas and Terry Morton. The band released 12 singles and an album on the dutch based CNR label. Most are tepid covers of Chuck Berry and Little Richard covers. But tucked away on a few Flip-Sides were band compositions that stood out from the rest. 

Today's Song of the Week is one of those. The song is Hey Honey, and it's the Flip-Side of their 7th single, released in June of 1965. I love the simple two chord riff and then the descending chords into the main structure of the song. Despite a very weak guitar lead, the rhythm guitar work throughout the song makes this a must spin gem. 

Until next time, we'll see you On The Flip-Side.