Showing posts with label Eric Clapton. Show all posts
Showing posts with label Eric Clapton. Show all posts

Monday, July 21, 2014

Songs The Yardbirds Taught Us (#1): Enrie K-Doe - A Certain Girl

We're going to spend the week going under the covers by looking at the original versions of songs that were covered by The Yardbirds. In many cases we learned of the artist or the particular song FROM The Yardbirds. In most cases, actually. 

We'll start today with Ernie K-Doe (born as Ernest Kador) of New Orleans, Louisiana. Ernest struck it big in early 1961 with the Allen Toussaint composition/production of Mother-In-Law. In October of that same year Ernie K-Doe reached his bucket into the deep, rich music well that was Allen Toussaint one more time. Toussaint produced and wrote A Certain Girl under the name of Naomi Neville and it was released by Ernest K-Doe on the great local New Orleans label, Minit Records.

The song became a staple of early Yardbirds sets and was dedicated to wax with Eric Clapton laying down a fiery lead guitar part as the Flip-Side of their amazing debut single in May of 1964. It turns out we wrote about The Yardbirds' version in 2012. You can hear their version right here
Until next time, we'll see you On The Flip-Side!

Monday, April 22, 2013

Song of the Week: John Mayall & the Bluesbreakers -- Crawling Up A Hill

John Mayall & The Bluesbreakers get the same bum rap that The Yardbirds suffer through. Specifically, the comments akin to "I only listen to them because [insert famous guitarist name here] was in the band for 5 weeks." Yep, Eric Clapton and Peter Green both did time in the Bluesbreakers. So did John McVie and Mick Fleetwood. But, like The Yardbirds, the Bluesbreakers were better than just being a footnote in some guitar heroes resume. And this song proves it.

This live version of Crawling Up A Hill is the first song off of John Mayall & The Bluesbreakers' first album, John Mayall Plays John Mayall (aka Live at Klooks Kleek). The album came out in December of 1964 and features the aforementioned John McVie on bass and relative unknown Roger Dean on guitar and Hughie Flint on drums. An inferior studio recording was released as Mayall's first single five months prior to this release. 

It's a hell of a two minute song that I never tire of. The musicianship is really quite stellar. All of them, but, in particular, take a listen to Roger Dean's tasteful guitar work. He was months away from being replaced by Eric Clapton and falling into the shadow of obscurity. His work here -- and on the whole album -- is really quite good. Surprising to me that he didn't resurface elsewhere in a more famous band. Of course Mayall, on his own composition, is quite strong vocally, on organ and on harmonica on this song as well.

We'll see you on the Flip-Side!

Wednesday, February 15, 2012

Song Of The Week: The Yardbirds - A Certain Girl


As I was flipping the stations on my satellite radio I came across a show where the DJs were having a segment about the greatest guitar solo in rock history. Those cats on the station were playing stuff by AC/DC (really?), Metallica and Deep Purple and the likes. I didn't stick around long enough to get much more info but thought about the premise a bit. Songs like The Rolling Stones' Shine A Light, the very gentle guitar work of John Frusciante on The Red Hot Chili Peppers' Scar Tissue, everything by Hendrix and Stevie Ray Vaughn and even Led Zeppelin's Stairway To Heaven. 

I'm not going to come to a greatest guitar solo conclusion, but I will come to this conclusion: the guitar work by a very young Eric Calpton on The Yardbirds' A Certain Girl is absolutely perfect in tone, attack, phrasing and length. A Certain Girl was the flip-side of the bands' amazing first single, I Wish You Would. I've always thought A Certain Girl, the cover of the Neville Brothers original, was a bit goofy with the band hollering' out a baritone "Nooooo" too often, but this guitar work is undeniable.

Got any other great guitar solos you think need attention? Let us know in comment section below.

Enjoy.



Tuesday, August 23, 2011

Song of the Week: "I Wish You Would", Billy Boy Arnold


Listen - Billy Boy Arnold performs I Wish You Would

"Early in the morning, about the break of day." Most know that opening line from The Yardbirds' stellar debut single from 1964, I Wish You Would. But nine years before Eric Clapton's heavily fuzzed Telecaster spit out the two note riff, Billy Boy Arnold recorded his original for Vee Jay Records in Chicago. Billy Boy Arnold had served as Bo Diddley's harp man on the Chess Recording of Diddley Daddy and took the spirit of that song to create his own debut single. It's a gem. Hope you like it.

Below is a nice vid from 1964 of The Yardbirds, with Eric Clapton, performing the same number. This live version tracks much closer to the original than did the Epic Records release.

Monday, September 21, 2009

Song of the Week: "Happenings Ten Years Time Ago", The Yardbirds

The Yardbirds are one of those bands whose shadow is larger than the actual profile of the band. They are a band that is revered by musicians and musicologists alike. They were inventive, musically stylish, aggressive, unpredictable and explosive. They are also known for spawning three of the greatest guitarists to step into the limelight in the nascent era of guitar heroes. Eric Clapton, Jeff Beck and Jimmy Page would all be birthed from the ranks of The Yardbirds. But any real follower of The Yardbirds bristles when the group is remembered for this selection of alums alone. The Yardbirds were much more than these three guitar legends.

The Yardbirds started in London with a fine young guitarist at the helm, Anthony "Top" Topham. Top Topham's parents (he was 16) thought little of his future and forced him from the supposedly deadbeat group. Good thing for the other members -- vocalist and harmonica player Keith Relf, drummer Jim McCarty, bassist Paul Samwell Smith, and rhythm guitarist Chris Dreja -- they new this introverted and moody kid from art school that used to play at the coffee house. He even was rumored to have a killer record collection. So off the 4 went courting their classmate. That classmate was none other than one Eric Clapton. The year was 1963 and the up and coming band made a play to get the residency at the Crawdaddy Club that was being vacated by a group who had to leave the residency to start touring. That group is of course, The Rolling Stones. The Yardbirds quickly built a following of blues enthusiasts who were attracted to the band for it's overdriven versions of obscure blues songs and the stellar finger work of their young lead guitarist as seen here performing Louise. Clapton was with the group when they recorded one of their finest works, a cover of the Billy Boy Arnold song, I Wish You Would. But Clapton bristled at requests to do the pop song, For Your Love, and departed the group for browner fields in the middle of the recording of their first album.

Half way through the recording of their first album, in steps publicly unknown guitarist Jeff Beck. While Beck was also a blues enthusiast, unlike Clapton, he was not a purist. Jeff Beck ushered in the era of musical experimentation that became the pinnacle of The Yardbirds' existence. The Yardbirds began drawing inspiration from disparate sources such as blues, jazz, country, raga, and rockabilly. (See this Flip-Side post from December, 2008 for an example of Beck's guitar work.) The result was a sonic explosion that sounded like nothing else in the UK or the US and had a tremendous impact on fellow musicians from Love to Jimi Hendrix to Aerosmith. Bassist Paul Samwell-Smith stepped forward as the group's primary songwriter, arranger and eventually producer. With Beck the group was at top form, as seen here in this live rendition of Bo Diddley's I'm A Man.

Shortly after producing the group's second album, Paul Samwell-Smith, tired of the touring, departed the group. In steps session guitarist Jimmy Page to replace Samwell-Smith on bass. The idea was to train Dreja how to play bass and have Page move over to guitar, giving the band perhaps the greatest guitar duo in history. That's where we pick up today's SoTW. It is the best of the three songs the two guitar legends recorded together. The song is Happening Ten Years Time Ago. It features Beck and Page and session bassist, John Paul Jones on bass. It was recorded in the summer of '66 and features some of the finest guitar tone you will ever here as Page and Beck duel with their Fender Telecasters through the lead as we hear distant voices under the siren swells.

This line up lasted for only three recordings and one film session, which can be seen here. Beck began to crack under pressure and left the group while on the road in California. Jimmy Page was left to carry the load for the band, and did a more than able job as the lone guitarist.


But all was not well in Yardbird land. Bad management, the loss of Jeff Beck coupled with the loss of Samwell-Smith and the changes in the music market, saw The Yardbirds playing a high school dance in Illinois one night, and a double theater show performance in Alabama the next night. With little enthusiasm left, in 1967, Relf and McCarty quit the band they founded.

Jimmy Page was still fresh and soldiered on for contractual purposes with The New Yardbirds, morphing the band into his new lineup he called Led Zeppelin (after The Who's Keith Moon stated that trying to keep the band afloat would go over like a Led Zeppelin). They would continue on with The Yardbirds set-list for a few months (as seen here) and eventually, become their own group and have one or two hits on their own accord.